Ido Radon is an artist and writer whose practice is shaped by a logic of the destituent gesture. Her research interests include radical histories and discourses; uses and subversive misuses of technologies; and science/speculative fiction as a preprogramming of the present. The work is further informed by an interest in the material conditions of the production and reproduction of art and artist. These concerns are necessarily feminist.
To be found in Vancouver B.C. and Portland, Oregon.
All Computers Are Beautiful.